There are some moments where this film deftly plays with your expectations giving you the revenge-fueled bloodletting you desire - the hallway fight being the main highlight - but then Park Chan-wook frequently pulls the rug out from under you. Loosely based on the Japanese Manga series, our hero is hardly heroic, blurring the lines of who is the actual villain of the film - or if there is actually even a villain at all, just a collection of bad people. While the other two of the films are a little more straightforward giving the audience some semblance of that gratifying bloodlust, Oldboy is in a league of its own. Vengeance, Oldboy, and Lady Vengeance make up a gritty and terrifying little trilogy that examines every facet of the theme. Park Chan-wook marked his career making revenge films that made the audience very uncomfortable with the concept. Every now and again, a film will make the small attempt at moralizing the journey - “don’t become the monster you hunt,” but rarely is that ever satisfyingly pulled off.
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Whether the protagonist is a schlubby everyman or a trained professional with a particular skill set, you’re buckled in for a tension-fueled violent ride of biblical proportions. A spouse or loved one is murdered, a child is kidnapped, a dog is killed and a car is stolen - the wrong must be made right. With the help of the beautiful friendly sushi chef Mi-do (Kang Hye-jeong), Dae-su will pick apart the mystery one clue at a time to exact his revenge.
After fifteen years of living in a one-room cell, Oh Dae-su is released and teased into figuring out who did this to him and why by a shadowy figure. On the night he should have been home with his family celebrating his daughter's birthday, he was in a police station being processed for drunk and disorderly. Oh Dae-su (Choi Min-sik) was a drunken buffoon.